Who We Are
We are Native artists who came together during a pandemic and decided to make space for a perpetual Native presence in the city of Zhegagoynak (Chicago).
What We Do
The Center for Native Futures is a newly-formed non-profit organization currently hoping to create a Native and Indigenous gallery space in the city of Zhegagoynak (Chicago). Before our physical space opens, we are hosting artist talks online, advising, and developing a Native artist network.
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Our Vision
The Center for Native Futures brings together Native artists to imagine ourselves richly, where art can provide a lens to learn from the past, nurture our present, and realize a thriving future.
Mission Statement
The Center for Native Futures is the epicenter of Native creativity that fosters Native artists of all backgrounds.
Indigenous Futurism(s)
Indigenous Futurism(s) are artistic means for expanding possibilities and realities by imagining our realities without colonial limitations. The definition of this term is ever-changing and dynamic.
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Debra Yepa-Pappan
(Jemez Pueblo/Korean) is a visual artist with international acclaim. Her multimedia practice, which combines digital collage and photography, centers on themes about her mixed-race identity that incorporates symbolic imagery influenced by her cultures and urban environment. Currently, Debra serves as the Community Engagement Coordinator for the Native American Exhibition renovation at The Field Museum. Through her artwork and work at the museum, she’s committed to changing inaccurate representations of Native people and advocates for the inclusion of Native first voice and perspectives.
Monica Rickert-Bolter
(Potawatomi/Black) is a Chicago-based visual artist, journalist, and consultant. Passionate about storytelling through art, she advocates for cultural representation in any project she undertakes. Monica pays homage to her Whitepigeon family name as a journalist and writes to amplify Natives in the arts & entertainment industries. As a consultant, she uses her decade's worth of nonprofit experience to create a more inclusive and equitable arts community throughout the city. Her artworks are on display at The Field Museum and the National Museum of the American Indian.
River Kerstetter
(Wisconsin Oneida) is an artist and writer who believes that art and storytelling are vital parts of collective healing and connection, especially in Indigenous, Two-Spirit, and LGBTQIA+ communities who fight to be seen and safe every day. River has taught art for youth and young adults for eight years, including at the Chicago Center for Arts & Technology, Columbia College Chicago, and Working Classroom in Albuquerque, NM. She is a co-founder of TIES, a reading series that celebrates Indigenous, Two-Spirit, and LGBTQ+ writers.
Patrick Del Percio
(Cherokee/Italian/Irish descent) is a Cherokee language instructor, translator, and writer. Residing in Oklahoma City, OK, they are on the faculty at the University of Oklahoma. Patrick has worked on various translation projects for software companies, including Google, Microsoft, and Facebook. Recently, they co-authored a Cherokee language textbook for beginners, ᏣᎳᎩ ᎣᏣᏕᎶᏆᎠ: We Are Learning Cherokee. Through their teaching, writing, and language advocacy, Patrick works to raise awareness of and create inclusive spaces for the continuation of Cherokee language, history, and culture.
Andrea Carlson
(Ojibwe) is a visual artist and writer currently living on Potawatomi land in Chicago, IL. Andrea’s layered practice includes painting, drawing, and arts writing on subjects ranging from museum studies to Indigenous Futurisms to assimilation metaphors in film. Her art is in various collections, such as the British Museum, the Minneapolis Institute of Art, the Walker Art Center, and the National Gallery of Canada. She received awards from McKnight Foundation (2008), Joan Mitchell Foundation (2016), and 3Arts “Make A Wave” (2020).
Chris Pappan
(Kanza/Osage/Lakota descent) is a nationally-recognized painter and ledger artist. Based on Plains art tradition, his work literally reflects the dominant culture’s distorted perceptions of Native peoples. Chris became an agent of change at The Field Museum with Drawing On Tradition, a two-year exhibit and intervention in the neglected and problematic Native American hall that presented contemporary Indigenous perspectives. His works are in collections of renowned institutions worldwide including the National Museum of the American Indian and The North American Native Museum of Geneva, Switzerland.
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